Contents Page
Double Page Spread

The preliminary task was to make a front cover of a school prospectus/magazine. This I did with a bit of difficulty as it was the first time I was using PhotoShop and had not got used to how to use it.
With the coursework task, I learnt a lot about PhotoSop and gradually became more familiar with it. PhotoShop was generally easy to use and anything that was difficult I could pick up from others. InDesign was not easy to use because I feel it is not as user friendly as PhotoShop is. It is for this reason I had to learn a lot from my teacher about editing things on InDesign which meant the process of learning was a lot slower. The only thing I learnt about InDesign which was easier than the other things on there was how to apply text wrap to the interview text. This meant the text would flow better.
For the front cover of my music magazine I was able to look further into the conventions of musci magazines and look, more specifically, how the page should be set out which is more difficult to do with a school magazine as the only example I had was my own school magazine.
I learnt a lot more about cameras and about different shots. For the school magazine I only had to take a medium close up of a student and when I got round to taking the pictures for my music magazine I wanted to create a wider and more varied range of shots. This is why I chose to take a high angled shot and to also use manual focus to blur ADZ's finger and fist.
Overall I think that it is clear since I have developed my preliminary task that my skills have developed in many areas, more specifically, in using PhotoShop and InDesign.
1. Google - Google is a search engine which was founded in 1998. You are able to search anything you wish and get the results in less than a second. I used Google to research practically everything; images, front covers, contents pages, double page spreads and different genre of music magazines (e.g. Rock – Kerrang, Indie – NME). If I needed to search anything I used Google because it is the best and most user friendly search engine around and other ones, like Bing, are confusing to use.

Overall these few examples demonstrates that overall my magazine is very conventional. However this is not a bad thing as the conventions have been proven to be successful and I believe that by following and adapting them I've created my best possible result.
This to the left is my original double page spread. Although I did not use this design I will make a brief summary of it so it is clear what changes I made and why.
As a result of these draw backs I decided to re-design the double page spread, which can be seen to the right.
In my new design the most obvious changes are to the text and the image. In my previous design, as already mentioned, I had many smaller images and these smaller images helped to divide the page into four sections. With this new design I decided to use one image and enlarge it so it filled one entire page of the spread. This is a successful convention that many magazines have utilized. I did this because the picture overlaps and links the pages together well.
Another change to this page is the title - Fake Fiction. This title is much bigger than on the previous design and I positioned it to go across both the pages to enhance the connection between the two pages. As you may notice the colour change of both the "F"'s to red with a yellow outline instead of black with a red outline. This is to make the entire title stand out more and because of the image it was difficult to see the black with red but the red with yellow makes the entire title look more visible.
The interview is the same as I thought it worked well and I did not change much. The main thing I have changed with the text is that there is a quote in blue near the centre on the right hand page. This is to break up the text a little bit so it is easier to read. It is a convention of music magazine, especially Kerrang who use quotes in their interviews quite often.
In the top right hand corner there is a new addition to the page. The website is clearer and it gives an easy way to find out more about the band. This benefits both the band and the magazine as the simplicity will attract people to buy the magazine again.
The final change on this double page spread is the page numbers. They use the same font as the title, therefore linking the whole double page nicely and it also follows the same colour scheme as the red of this page does - black with red.
On a more subtle note, to complete the overall look of the double page spread I used the rule tool on InDesign to line up all the text and the title so it is easier on the eyes and looks more aesthetically pleasing.
When it came to designing my contents page I debated whether to use Fake Fiction as the main feature again but ultimately decided to use "ADZ" (Adam). I came to this conclusion because I felt that if Fake Fiction were on all three pages as the main feature it would focus too much on them and this is not a convention of some of the magazine I have been researching.
ain idea with the magazine front cover was to have a main image almost centred, the masthead near the top (not at the top because it is not conventional for the masthead to be in that place), have a selling line and a date line. These are general conventions for a front cover for any magazine.
and Fake Fiction are a punk band. Picking a punk band for a punk/rock magazine is straight forward - you wouldn't have Mumford & Sons on the cover of Kerrang because Mumford & Sons aren't "rock". 
The masthead "High Voltage" is near the top of the page, in the conventional position. I put it in the position because it is easy to see on a magazine shelf and therefore will stand out to the target audience whilst not interfering with the page as a whole. I chose the title High Voltage because, like Kerrang, it is related to electric instruments and therefore relates back to "rock" and "punk". To make the masthead stand out more I decided to use lightening bolts for the "I" and the "L" because it is a visual representation of the masthead. The colour of the lightening bolts is white and this is for one main reason. I was originally going to use yellow, as this is the normal colour we see lightening to be, however with the black background this combination of black and yellow is the natural colour combination which symbolises danger. This is not an image I wanted to portray, so therefore I used white. To contrast the white I used red for the majority of the rest of the page and subsequently became the colour theme for my magazine. This is demonstrated well in the selling line which is above masthead and it reverses the colour scheme while maintaining the same aesthetically pleasing design. I used the lightening to separate the text so that the top of the page didn't become cramped. I thought this selling line was important to have at the top of the page because the target audience will be able to see it on the magazine shelf and it highlights the most important parts of the issue. The second selling line located below the masthead. I put the website and the slogan below the masthead is it further advertises the magazine. The colour scheme highlights this further as in the website the white highlights the magazine title and in the slogan the red highlights "best" and "you" which are the most important things in that sentence.
The coverline and the main coverline link together well as the coverline gives a sneek preview of what you will fi
nd inside in the main double page interview. The main coverline "Fake Fiction" draws the most attention because of it's size and colours. The process of designing this c
overline involved both myself and the band. They initially provided me with their logo, which can be seen to the right, however I thought I could improve it and with their permission and guidance I did. You are able to see my improved design to the left. I wanted to change it because the logo they had sent me looked a bit out of place on the page and it looked cartoon-like, which didn't suit the band or my magazine. I changed the logo so the "fake" was red and the "fiction" was blue, these are the two main colours that are representative of boys.
nd I got the hang of it after a while.
Musical Express published weekly since March 1952. It was the first British paper to include a singles chart, in the 14 November 1952 edition. In the 1970s it became the best-selling British music magazine. It then became closely associated with punk rock through the writing of Tony Parsons and Julie Burchill. Many famous artists have appeared on the front cover since the magazine started in 1952, such as: The Beatles and The Rolling Stones. Throughout the decades NME hasn’t always stuck to the same genre. When it first started off it was mainly Rock and Progressive Rock but over the years it changed slightly to fit the growing trends in the consumer demand. Different genres it has accommodated for: Rock & Progressive Rock (The Beatles), Punk (Sex Pistols), Grunge (Nirvana) and when Kurt Cobain died it affected his fans and also the music industry because ‘Grunge’ was slowly replaced by Britpop (Oasis), Hip-Hop (Jay-Z), Indie (Bloc Party) and now the magazine has stayed with the Indie and Alternative genres.
hen playing a power chord on an electric guitar. Kerrang! commenced publication on 7 June 1981, initially as a one-time supplement in the Sounds newspaper, which focuses on the genre New Wave of British Heavy Metal and the rise of other hard rock acts. AC/DC appeared on Kerrang!’s first cover. Kerrang!'s first successful period in 2000 when the ‘nu metal’ genre, featuring bands like Papa Roach, Slipknot and Linkin Park, became more popular. Later on, they started covering other bands, like Foo Fighters and Metallica. Kerrang has stayed with virtually the same genre all through the years but maybe swaying more towards Rock in the present day. Kerrang has also broadened its audience by creating a radio station, a TV channel, their own awards (The K! Awards) and their own tour (Kerrang Tour).
a music magazine published monthly in the United Kingdom. Founders Mark Ellen and David Hepworth were dismayed by the music press of the time, which they felt was ignoring a generation of older music buyers who were buying CDs — then still a new technology. Q was first published in October 1986, setting itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called Cue (as in the sense of cueing a record, ready to play), but the name was changed so that it wouldn't be mistaken for a snooker magazine.
I have started the designing process and have the initial designs for the front cover, contents page and double page. To the left is my initial design for my font cover. As you can see it is made up of a big main image to show the audience that it is the main focus of the magazine. The Masthead is the biggest text on the page as it needs to stand out, especially on a magazine shelf where only the top will be visible. The main cover line would be slightly smaller than the Masthead because it is still important and needs to stand out but it cannot distract you from the Masthead. This is a conventional front cover, mostly from Kerrang, because the conventions have shown to be successful.
To the right is my initial design for my contents page. The main image is the biggest thing on this page. This is to show its importance over everything else. It may not be the image of the band I will be writing about on my double page spread but I have noticed that in real magazines that the main image on the contents page isn't necessarily the band that are on the double page. The contents Masthead is the biggest text on this page. This is because it shows that this is the contents page and the most important information about what is in the magazine is on this page. There is a smaller picture in the bottom left corner and that is another convention of music magazines and this is probably where I will put an image of the band I will be 'interviewing' on the double page spread.